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The El Paseo Sculptures You Pass Every Day Are Leaving This Fall

Drive west past San Pablo and you'll catch it out of the corner of your eye: a kinetic piece called "Over the Falls," rigged to mimic water in freefall, parked on one of the lighted concrete pads that run down the median. Most people who live near El Paseo have stopped seeing it the way a visitor does. It's just there, like the palms and the mountain view, part of the street's furniture.

It isn't furniture. It's a rental, and the lease is up.

The eighteen sculptures currently spaced along the median between Highway 74 and Portola Avenue make up the 2025/2026 El Paseo Sculpture Exhibition, installed in the fall of 2024. Palm Desert's own call-for-artists paperwork lists de-installation for October 2026, which means the specific pieces a Palm Desert resident has been walking past all year are scheduled to come down within weeks, not months, of right now.

A Two-Year Lease, Not a Permanent Collection

The city has run El Paseo's sculpture median this way since the 1980s, when Palm Desert became the first city in Riverside County to adopt a public arts ordinance requiring developers to include public art in their projects or pay into a fund instead. That ordinance is the reason the median has dedicated, lighted pads at all rather than just landscaping.

Every two years, the Art in Public Places Commission runs an open call, reviews submissions, and selects eighteen new works plus a handful of alternates. The current cycle drew about 96 submissions from artists across the United States, Canada, and Mexico before the committee narrowed it down. Once a sculpture is installed, it stays for roughly two years, whether or not it sells, and the artist gets paid on a schedule tied to delivery and pickup rather than to any sale.

That's the part most residents don't clock walking their dog past the median on a Tuesday. The art isn't curated once and left alone. It's on a clock, and the clock resets on a public schedule anyone can look up.

What's Actually Out There Right Now

Before it changes, it's worth knowing what's actually on the pads this season. Alongside "Over the Falls," this exhibition includes "Nine Ancestral Feathers," a piece honoring Native Tribal Nations heritage, "Water Totem," built around water conservation themes fitting for a desert city, and "Vortex of Creation," an illuminated sculpture designed to read differently after dark than it does at noon.

The pads themselves are purpose-built: seventeen measure 7 feet by 7 feet, and one oversized pad stretches 8 feet by 25 feet to accommodate a larger single work or multiple smaller pieces. Sculptures run 8 to 10 feet tall including base, sized specifically so a person walking the corridor can take one in without craning their neck.

What Replaces It, and Why the Payout Went Up

The city has already opened its call for the 2026/2028 exhibition, with installation planned for October and November of 2026, essentially back to back with this cycle's teardown. The honorarium for artists selected in the new round rose to $6,000 per piece, up from $5,000 in the current cycle, paid alongside professional installation, lighting, insurance, and citywide promotion the city handles directly.

That increase is a small but real signal. A one-fifth jump in artist compensation between cycles suggests the city is treating the program as more competitive, not less, at a moment when plenty of municipal arts budgets are getting squeezed. For a resident, it means the pieces coming in this fall were chosen from a pool competing for a bigger prize than the ones going out.

The Gallery Next to the Median

If you want context for any of this before the swap happens, the Melissa Morgan Fine Art Sculpture Garden sits at El Paseo and San Luis Rey, catty-corner to the gallery itself, on a half-acre lot with an on-site bookstore and interactive pieces that light up at dusk. As El Paseo Catalogue reports, Melissa Morgan, who founded the gallery in 2002, has described the appeal simply: "I like the language of art." The garden isn't part of the biennial rotation. It's privately curated and changes on its own schedule, which makes it a useful counterpoint if you want to see how a private collection differs from the city's public one on the same block.

CODA Gallery, further down the corridor, has spent more than three decades building a reputation Palm Springs Life has called the best gallery in the desert. Neither of these depends on the city's two-year clock, so they're worth a stop regardless of when you catch the median mid-swap.

First Friday and the Sculpture Changeover

El Paseo's Art Walk resumes on the first Friday of the month, running roughly November through spring, with galleries open from 4 to 7 p.m. for receptions and artist demonstrations. Ahead of it, from 2 to 4 p.m., El Paseo Cruise Night sets up at the Palm Desert Area Chamber of Commerce offices, where vintage cars stage before cruising the strip.

That means the fall's first Art Walk lands close to the same window as the sculpture teardown, so a resident who times an evening walk right could plausibly see both changes at once: new cars staged for cruise night, galleries opening their doors for the season, and city crews mid-swap on the median a block away.

Where to Stop Before or After

A few doors down from any of this, the food scene has kept adding names worth knowing. The Hideout Kitchen + Bar, tucked upstairs at the Gardens on El Paseo, covers weekday lunch through late-night drinks. Porta Via has built a following for its retro patio and seafood-forward menu since opening in 2022. The Fix on El Paseo draws steady praise for its patio breakfasts and pet-friendly seating, and Backstreet Bistro, a longtime OpenTable Diners' Choice winner, still leans into its Tuscan-inspired menu with San Jacinto Mountain views from the courtyard.

None of these openings are new this month, but they're recent enough that a longtime resident who hasn't walked the street since spring might not have tried them yet.

Two Dates Already on the Calendar

A couple of fixed points are worth setting aside now, before the season fills in around them.

  • October 10: the Desert Cancer Foundation's community walk marks its 20th anniversary on El Paseo, with a 7:30 a.m. kickoff, an 8 a.m. walk start, and a stated fundraising goal of $150,000.
  • October 25: the Golf Cart Parade returns to the same stretch of El Paseo, with the Rotary Club's pancake breakfast at 8 a.m. and the parade itself stepping off at noon behind a flyover.

Both land in the same narrow window as the sculpture changeover, which means the next few weeks compress more change onto El Paseo than most of the calendar year combined. A resident who's used to the street looking one way in September might not recognize it by Thanksgiving.

The Part Worth Remembering

None of this is a reason to rush out before the pieces disappear forever. The city keeps a public art program running specifically so the median never sits still, and the artists who lose their spot this October aren't being replaced by absence. They're being replaced by the next round, chosen the same way, paid a little better, installed on the same pads.

What's worth holding onto is smaller than that: the next time someone new to Palm Desert asks what that kinetic sculpture near San Pablo is, you'll have an answer, and you'll know it's not going to be there much longer.

If you're weighing what a home near El Paseo and Palm Desert's public art corridor is actually worth, Rich Nolan has spent years watching this particular stretch of street change season by season, and he's glad to walk you through what that means for a specific address.

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